The name of a supernatural being mentioned in
connection with the ritual of the Day of Atonement (Lev. xvi.). After Satan,
for whom he was in some degree a preparation, Azazel enjoys the distinction
of being the most mysterious extrahuman character in sacred literature.
Unlike other Hebrew proper names, the name itself is obscure.
In Lev. xvi. the single allusion to Azazel is as
follows: On the tenth day of Tishri (see
Atonement Day) the high priest, after first
performing the prescribed sacrifices for himself and his family, presented
the victims for the sins of the people. These were a ram for a burnt
offering, and two young goats for a sin-offering. Having brought the goats
before
Yhwh at the door of the tabernacle, he cast lots for them, the one
lot "for
Yhwh" and the other "for Azazel." The goat that fell to
Yhwh was slain as a sin-offering for the people. But the goat of
Azazel (now usually known as the "scapegoat") was made the subject of a more
striking ceremony. The high priest laid his hands upon its head and
confessed over it the sins of the people. Then the victim was handed over to
a man standing ready for the purpose, and, laden as it was with these
imputed sins, it was "led forth to an isolated region," and then let go in
the wilderness.J.Jr.J.F.McC.
The Rabbis, interpreting "Azazel" as "Azaz"
(rugged), and "el" (strong), refer it to the rugged and rough mountain cliff
from which the goat was cast down (Yoma 67b; Sifra, Aḥare, ii. 2;
Targ. Yer. Lev. xiv. 10, and most medieval commentators).Most
modern scholars, after having for some time indorsed the old view, have
accepted the opinion mysteriously hinted at by Ibn Ezra and expressly stated
by Naḥmanides to Lev. xvi. 8, that Azazel belongs to the class of "se'irim,"
goat-like demons, jinn haunting the desert, to
which the Israelites were wont to offer sacrifice (Lev. xvii. 7 [A. V.
"devils"]; compare "the roes and the hinds," Cant. ii. 7, iii. 5, by which
Sulamith administers an oath to the daughters of Jerusalem. The critics were
probably thinking of a Roman faun).
Far from involving the recognition of Azazel as a
deity, the sending of the goat was, as stated by Naḥmanides, a symbolic
expression of the idea that the people's sins and their evil consequences
were to be sent back to the spirit of desolation and ruin, the source of all
impurity. The very fact that the two goats were presented before
Yhwh before the one was sacrificed and the other sent into the
wilderness, was proof that Azazel was not ranked with
Yhwh, but regarded simply as the personification of wickedness in
contrast with the righteous government of
Yhwh. The rite, resembling, on the one hand, the sending off of the
epha with the woman embodying wickedness in its midst to the land of Shinar
in the vision of Zachariah (v. 6-11), and, on the other, the letting loose
of the living bird into the open field in the case of the leper healed from
the plague (Lev. xiv. 7), was, indeed, viewed by the people of Jerusalem as
a means of ridding themselves of the sins of the year. So would the crowd,
called Babylonians or Alexandrians, pull the goat's hair to make it hasten
forth, carrying the burden of sins away with it (Yoma vi. 4, 66b;
"Epistle of Barnabas," vii.), and the arrival of the shattered animal at the
bottom of the valley of the rock of Bet Ḥadudo, twelve miles away from the
city, was signalized by the waving of shawls to the people of Jerusalem, who
celebrated the event with boisterous hilarity and amid dancing on the hills
(Yoma vi. 6, 8; Ta'an. iv. 8). Evidently the figure of Azazel was an object
of general fear and awe rather than, as has been conjectured, a foreign
product or the invention of a late lawgiver. Nay, more; as a demon of the
desert, it seems to have been closely interwoven with the mountainous region
of Jerusalem and of ancient pre-Israelitish origin.
This is confirmed by the Book of Enoch, which
brings Azazel into connection with the Biblical story of the fall of the
angels, located, obviously in accordance with ancient folk-lore, on Mount
Hermon as a sort of an old Semitic Blocksberg, a gathering-place of
demons from of old (Enoch xiii.; compare Brandt, "Mandäische
Theologie," 1889, p. 38). Azazel is represented in the Book of Enoch as the
leader of the rebellious giants in the time preceding the flood; he taught
men the art of warfare, of making swords, knives, shields, and coats of
mail, and women the art of deception by ornamenting the body, dyeing the
hair, and painting the face and the eyebrows, and also revealed to the
people the secrets of witchcraft and corrupted their manners, leading them
into wickedness and impurity; until at last he was, at the Lord's command,
bound hand and foot by the archangel Raphael and chained to the rough and
jagged rocks of [Ha] Duduael (= Beth Ḥadudo), where he is to abide in utter
darkness until the great Day of Judgment, when he will be cast into the fire
to be consumed forever (Enoch viii. 1, ix. 6, x. 4-6, liv. 5, lxxxviii. 1;
see Geiger, "Jüd. Zeit." 1864, pp. 196-204). The story of Azazel as the
seducer of men and women was familiar also to the rabbis, as may be learned
from Tanna d. b. R. Yishma'el: "The Azazel goat was to atone for the wicked
deeds of 'Uzza and 'Azzael, the leaders of the rebellious hosts in the time
of Enoch" (Yoma 67b); and still better from Midrash Abkir, end, Yalḳ.,
Gen. 44, where Azazel is represented as the seducer of women, teaching them
the art of beautifying the body by dye and paint (compare "Chronicles of
Jerahmeel," trans. by Gaster, xxv. 13). According to Pirḳe R. El. xlvi.
(comp. Tos. Meg. 31a), the goat is offered to Azazel as a bribe that
he who is identical with Samael or Satan should not by his accusations
prevent the atonement of the sins on that day.
The fact that Azazel occupied a place in Mandæan,
Sabean, and Arabian mythology (see Brandt, "Mandäische Theologie," pp. 197,
198; Norberg's "Onomasticon," p. 31; Reland's "De Religione Mohammedanarum,"
p. 89; Kamus, s.v. "Azazel" [demon identical with Satan]; Delitzsch,
"Zeitsch. f. Kirchl. Wissensch. u. Leben," 1880, p. 182), renders it
probable that Azazel was a degraded Babylonian deity. Origen ("Contra Celsum,"
vi. 43) identifies Azazel with Satan; Pirḳe R. El. (l.c.) with Samael;
and the Zohar Aḥare Mot, following Naḥmanides, with the spirit of Esau or
heathenism; still, while one of the chief demons
in the Cabala, he never attained in the doctrinal system of Judaism a
position similar to that of Satan. See articles
Atonement and
Atonement, Day of. Bibliography:Kahisch,
Comm. on Leviticus,
ii. 293et seq.,
326et seq.; Cheyne,
Dictionary of the Bible; Hastings,
Dict. Bibl.,
Riehm,
H. W. B.; Hauck,
R. E.; Winer,
B. R.; Hamburger,
R. B. T.i.s.v.K.
—According to Talmudical interpretation, the term "Azazel"
designated a rugged mountain or precipice in the wilderness from which the
goat was thrown down, using for it as an alternative the word "Ẓoḳ" ()
(Yoma vi. 4). An etymology is found to suit this interpretation. "Azazel"()
is regarded as a compound of "az" (),
strong or rough, and "el" (),
mighty, therefore a strong mountain. This derivation is presented by a
Baraita, cited Yoma 67b, that Azazel was the strongest of mountains.
Another etymology (ib.) connects the word
with the mythological "Uza" and "Azael," the fallen angels, to whom a
reference is believed to be found in Gen. vi. 2, 4. In accordance with this
etymology, the sacrifice of the goat atones for the sin of fornication of
which those angels were guilty (Gen. l.c.).
Two goats were procured, similar in respect of
appearance, height, cost, and time of selection. Haying one of these on his
right and the other on his left (Rashi on Yoma 39a), the high priest,
who was assisted in this rite by two subordinates, put both his hands into a
wooden case, and took out two labels, oneinscribed
"for the Lord" and the other "for Azazel." The high priest then laid his
hands with the labels upon the two goats and said, "A sin-offering to the
Lord"—using the Tetragrammaton; and the two men accompanying him replied,
"Blessed be the name of His glorious kingdom for ever and ever." He then
fastened a scarlet woolen thread to the head of the goat "for Azazel"; and
laying his hands upon it again, recited the following confession of sin and
prayer for forgiveness: "O Lord, I have acted iniquitously, trespassed,
sinned before Thee: I, my household, and the sons of Aaron—Thy holy ones. O
Lord, forgive the iniquities, transgressions, and sins that I, my household,
and Aaron's children—Thy holy people—committed before Thee, as is written in
the law of Moses, Thy servant, 'for on this day He will forgive you, to
cleanse you from all your sins before the Lord; ye shall be clean.'" This
prayer was responded to by the congregation present (see
Atonement, Day of). A man was selected,
preferably a priest, to take the goat to the precipice in the wilderness;
and he was accompanied part of the way by the most eminent men of Jerusalem.
Ten booths had been constructed at intervals along the road leading from
Jerusalem to the steep mountain. At each one of these the man leading the
goat was formally offered food and drink, which he, however, refused. When
he reached the tenth booth those who accompanied him proceeded no further,
but watched the ceremony from a distance. When he came to the precipice he
divided the scarlet thread into two parts, one of which he tied to the rock
and the other to the goat's horns, and then pushed the goat down (Yoma vi.
1-8). The cliff was so high and rugged that before the goat had traversed
half the distance to the plain below, its limbs were utterly shattered. Men
were stationed at intervals along the way, and as soon as the goat was
thrown down the precipice, they signaled to one another by means of
kerchiefs or flags, until the information reached the high priest, whereat
he proceeded with the other parts of the ritual.
The scarlet thread was a symbolical reference to
Isa. i. 18; and the Talmud tells us (ib. 39a) that during the
forty years that Simon the Just was high priest, the thread actually turned
white as soon as the goat was thrown over the precipice: a sign that the
sins of the people were forgiven. In later times the change to white was not
invariable: a proof of the people's moral and spiritual deterioration, that
was gradually on the increase, until forty years before the destruction of
the Second Temple, when the change of color was no longer observed (l.c.
39b).J.Sr.I.Hu.
There has been much controversy over the function
of Azazel as well as over his essential character. Inasmuch as according to
the narrative the sacrifice of Azazel, while symbolical, was yet held to be
a genuine vicarious atonement, it is maintained by critics that Azazel was
originally no mere abstraction, but a real being to the authors of the
ritual—as real as
Yhwh himself.
This relation to the purpose of the ceremony may
throw light upon the character of Azazel. Three points seem reasonably
clear. (1) Azazel is not a mere jinnee or demon of uncertain ways and
temper, anonymous and elusive (see
Animal Worship), but a deity standing in a
fixed relation to his clients. Hence the notion, which has become prevalent,
that Azazel was a "personal angel," here introduced for the purpose of
"doing away with the crowd of impersonal and dangerous se'irim" (as
Cheyne puts it), scarcely meets the requirements of the ritual. Moreover,
there is no evidence that this section of Leviticus is so late as the
hagiological period of Jewish literature.
(2) The realm of Azazel is indicated clearly. It
was the lonely wilderness; and Israel is represented as a nomadic people in
the wilderness, though preparing to leave it. Necessarily their environment
subjected them in a measure to superstitions associated with the local
deities, and of these latter Azazel was the chief. The point of the whole
ceremony seems to have been that as the scapegoat was set free in the
desert, so Israel was to be set free from the offenses contracted in its
desert life within the domain of the god of the desert.
(3) Azazel would therefore appear to
be the head of the supernatural beings of the desert. He was thus an
instance of the elevation of a demon into a deity. Such a development is
indeed rare in Hebrew religious history of the Biblical age, but Azazel was
really never a national Hebrew god, and his share in the ritual seems to be
only the recognition of a local deity. The fact that such a ceremony as that
in which he figured was instituted, is not a contravention of Lev. xvii. 7,
by which demon-worship was suppressed. For Azazel, in this instance, played
a merely passive part. Moreover, as shown, the symbolical act was really a
renunciation of his authority. Such is the signification of the utter
separation of the scapegoat from the people of Israel. This interpretation
is borne out by the fact that the complete ceremony could not be literally
fulfilled in the settled life of Canaan, but only in the wilderness. Hence
it was the practise in Jerusalem, according to Yoma vii. 4, to take the
scapegoat to a cliff and push him over it out of sight. In this way the
complete separation was effected. Bibliography:Diestel,
Set-Typhon, Asasel und Satan, in
Zeitschrift für Historische Theologie,
1860, pp.
159et seq.; Cheyne, in
Stade's Zeitschrift,
xv. 153et seq.; Baudissin,
Studien zur Semit. Religionsgesch.i. 180et seq.; Nowack,
Lehrbuch der Hebr. Arch.ii. 186et seq.; and various commentators on Lev. xvi.J.Jr.J
There are some characters in this article that I could not
seem to duplicate (regardless of the number of fonts I downloaded)
correctly. If you would like to see the characters originally
displayed in this article
Click Here.